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He headed to New York with the intention of proving them wrong.After he played Little Bill in Unforgiven (1992), Hackman vowed not to appear in any more violent films.It's scheduled for transmission on New Year's Day and is a fittingly bright, bouncy, charming film, with Hoffman at its heart as a repressed loner who blossoms when loved.Although Hoffman came to prominence at a time when Hollywood was exploding with hedonism and violence – think of Bonnie and Clyde, Easy Rider, The Godfather – one of the things he did so well was play characters who were turned in on themselves and out of place.Hoffman played the bongo drums while Hackman played the conga drums.They did it out of their love for Marlon Brando, who they had heard played music in clubs.“I was too close to it emotionally, and I couldn't imagine the audience seeing it with the sound mix and everything.” Now, he says, “I’m in awe of it.” David says he has considered a sequel, and took a stab at a second Western, but found it a struggle.

The catch: They don’t know beforehand what roles we’ll ask them to talk about. I wanted to do a comedy, but then this came up, and I loved it. AVC: Are you able speak about how the season plays out? We went to Sundance, but it’s too bad that—I don’t know why, but the critics didn’t like that movie, and it was so independent that it needed that.

Post-News Radio, Tierney scored even bigger small-screen success on ER, and she was on track to follow it up with another hour-long drama—Parenthood—when a cancer scare temporarily derailed her plans. Club: Were you chomping at the bit to try your hand at a cable drama? The whole thing is told in a flashback, and I believe that Sarah Treem, who created it, has several seasons planned in her head—at least two—and because it’s told in flashback, it can go to a lot of different places.

Thankfully, Tierney has rebounded: In addition to having spent a half-dozen or so episodes as a guest star on The Good Wife, she can now be seen on a weekly basis in the cast of Showtime’s The Affair.

The day I meet Dustin Hoffman is his last in London, and he seems in no rush to get home.

He is quiet, courteous, dry-witted; tanned but not excessively suave.

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